Nizhoni Ranch Gallery

A stunning example of historic Navajo weaving artistry, these authentic Biil dress panels showcase the craftsmanship of the classic period. Measuring 29" x 48", this matched pair features traditional lac and indigo dyes with characteristic tie-down details. The gentle wear marks across the center tell the story of its age and heritage, enhancing its cultural significance and collectability. Rare to find in such excellent condition, these panels represent a meaningful investment for serious textile enthusiasts and collectors.

This 1940's distinguished Bistie weaving, attributed to Mary Henderson of the Two Grey Hills area, beautifully bridges two respected weaving traditions. Crafted from hand-carded and hand-spun native wool with aniline-dyed black accents, the piece displays a refined and sophisticated palette.

Melvin comes from a distinguished family of weavers. His mother, Rachel Curley wove the largest Two Grew Hills rug, a magnificent 12' x 18' which now has a permanent home a the Notah-Dineh Trading Company & Museum in Cortez, CO. All Hand Carded, hand spun, hand dyed Native Wool. Re-spun, Wide Ruin Area Dyes. Circa 1985.

Tapestry quality Burntwater by Irene Bia. Re-spun New Zealand Romney wool, natural dyes, dyed by weaver. Extremely tightly woven. Exhibited at the Desert Caballeros Western Museum. Circa 1980's.

Ganado woven by Helen Kaye from the Blue Gap area. The Ganado style is recognized primarily by their red and grey color combinations, however they were also influenced by the oriental rugs found in the East. In this rug we see the Greek key pattern as the inner border, and the repeating accent shapes in the stepped triangle corners and inner design could be stylized squash blossoms. This piece has a spirit line. Circa 2013.

This Crystal/JB Moore rug incorporates design elements from JB Moore's 1903 and 1911 catalogs, including references to Plates II, V, VII, and VIII, plus Valero Stars. The weaver skillfully integrated multiple catalog designs while adding her own creative vision. A significant textile that honors design heritage and individual artistic innovation. Circa 1920's.

JB Moore Crystal Navajo Rug circa 1920's. When you look through the JB Moore Navajo Weaving catalogs that he published in 1903 and 1911 you can see bits and pieces of several design elements which have been incorporated into this incredible work of art.

In this absolutely stunning Klagetoh woven by Master weaver Nora Bitsui has created a masterpiece. This piece of art needs a very special place to live especially due to its size. Klagetoh and Ganado rugs are very similar in style and color. One can usually tell the difference between them by the background color. Ganado has a red background, and Klagetoh have a grey or brown background. Circa 2013.

Julia Upshaw, a master weaver creates show stopping pieces that command attention. This magnificent poncho is one of her largest creations—a true testament to her skill and vision. Julia's work has earned prestigious recognition, including honors at both the Gallup Inter-Tribal Ceremonial and the Museum of Northern Arizona.

Woven by Master Weaver Anita Tsosie, this Sandpainting weaving won a Blue Ribbon at the 1995 O’odham Tash All Indian Fair. It has commercial dyes and very tightly woven. Extremely well known, Anita won Best of Show at Santa Fe Indian Market for her Sandpainting Weaving depicting the Sky People in 2004. She also won first place in the textile division at the 2002 and 2003 Santa Fe Indian Markets. Circa 1995.

Late Classic Serape from the 1880s honors Spiderwoman through its ingenious design, where negative space weaves together to form an intricate spider motif across the composition. The vibrant red ground beautifully frames the interplay of indigo blue, rich green, and cream tones, creating a dynamic visual rhythm that draws the eye throughout

This extremely rare serape blanket with a Spiderwoman hole in its center was likely woven at Bosque Redondo. This particular palette of colors was only available at Bosque Redondo and Fort Wingate during this time frame. The Navajo did not have sheep during this time of captivity, so this blanket is made of commercial yarn, three-ply Saxony, which would have come over the Santa Fe Trail. All natural dyes were used including cochineal red and Indigo blue. Circa 1865-1870's.

Laverta Marianito wove this award-winning Serape in 2004, and it's been turning heads ever since—literally taking home 1st place at the 2004 Gallup Inter-Tribal Indian Ceremonial! Dazzling with its cochineal foundation and intricate zig-zag and ribbon designs. Notice the light-colored line running through the dark central diamond. That's Laverta's deliberate imperfection that reflects the Navajo philosophy that only the Creator makes perfection.

Exquisite serape featuring Merino wool, red background is 3 ply raveled American Flannel and Bayeta cloth. Natural dyed Indigo blue with plied yellow and orange. Greens may be plied or home spun natural dyed with rabbit brush yellow and then dipped in an Indigo blue bath. Circa 1870's.

Juanita Tsosie of the Rough Rock area is the creative mind behind this great piece. She was the preeminent Navajo Folk Artist / Weaver of the 80s and 90s and her creations are highly sought, many are with prominent collections and institutions. Circa 1980's.

Marion Nez, an award-winning master weaver, brings her exceptional talent to this striking Red Mesa/Teec Nos Pos creation. Every fiber in this weaving is 100% custom spun and hand dyed Churro wool. This is textile art at its finest, where traditional technique meets contemporary vision.

Helene Nez poured nine months of meticulous craftsmanship into this stunning Teec Nos Pos weaving, and every stitch reflects her dedication to perfection. An award-winning weaver with an exceptional eye for detail, Helene created this masterpiece using hand-dyed Navajo Churro wool that brings warmth and authenticity to every inch.

Master weaver Helene Nez crafted this stunning Teec Nos Pos design over 13 months, showcasing the precision and artistry that have earned her numerous accolades throughout her career. Custom spun, hand-dyed Navajo Churro wool brings warmth while the intricate geometric patterns reflect her meticulous attention to detail.

Marian Nez devoted over two years to this monumental Teec Nos Pos weaving, creating a masterwork that reflects her legendary dedication to the craft. An acclaimed weaver whose pieces have been exhibited at the Desert Caballeros Western Museum, Marian's hand-dyed Churro wool textiles are celebrated for their technical brilliance and artistic vision.

Yei Navajo weaving with Rainbow Yeis, and Hero Twins. All hand carded, hand spun, native wool, aniline red and green, some natural dyes and wool colors, over dyed black. From the Chinle Area of the Navajo Reservation, Master Weaver Marie Shirley (Brown) has won many awards. Her weavings have been exhibited and published in the "Fine Art of Navajo Weaving" (under the name of Marie Brown). Well known for her versatility and ability to weave any style she put her mind to, she exhibited in a one woman show at the Heard Museum in the 1990s showcasing this talent and the Desert Caballeros Museum 2000-2001. Circa 1980's.