December 2022 Edition


Upcoming Solo & Group Shows


Principle Gallery | 12/3-1/3 | Alexandria, VA

Small Works, Big Show

More than 30 artists come together for Principle Gallery’s Annual Small Works Group Show

Keeping with the holiday tradition of group shows, Principle Gallery will be showcasing the smaller-scale works of more than 30 invited artists at their Alexandria, Virginia, location. The opening reception on December 3 from 1 to 4 p.m. will feature a live painting demonstration by tonalist landscape artist Justin T. Worrell.

Smaller paintings have a special place in the hearts of artists and collectors alike, from the technical demands, to their enhanced sense of intimacy, and the opportunity to acquire more affordable, space-friendly works.Elizabeth Floyd, Dreaming of Venice, oil on panel, 24 x 18”

Featured artist Jill Basham primarily creates large pieces but enjoys the immediacy of working small. Her show piece Down to the Valley challenged her ability to express depth of field and atmosphere. “With a smaller canvas, the temptation is to pick up smaller brushes, which can result in an overworked painting,” says Basham. “I wanted this [painting] to feel as though one has just approached the top of the hillside, and just gotten the first glimpse of the beauty far beyond.”Jill Basham, Down to the Valley, oil on linen panel, 16 x 20”

Michael T. Davis, Anatomy of a Punch, oil on panel, 20 x 28”

“With so many wonderful artists participating, it looks like it is going to be one heck of a show,” says contemporary Trompe l’Oeil painter, Anthony Waichulis. At a mere 5 by 7 inches, Waichulis’ piece Yarn the Hours packs a powerful punch of childhood nostalgia. “It adheres to a theme that I have visited quite often throughout my career,” Waichulis says. “Namely, the growth and exploration of rich inner worlds of the imagination that are unlocked through the practices of play and storytelling.”Anthony Waichulis, Yarn the Hours, oil on panel, 5 x 7”

Most of Michael Davis’ pieces fall on the smaller side of the spectrum. “There is an accessibility to small scale works that invites the viewer into your world; a real world that is a step removed from reality. Painting them creates a more believable version of your fantasy…The real world disappears and another world takes over.”

With The Anatomy of a Punch, Davis hopes “it attracts your attention from across the room and brings you in closer to see its nuances. It isn’t complex in subject or composition, but it radiates an energy that grabs you.”Joseph Zbukvic, I Love Paris, watercolor on paper, 22 x 15”Small pieces are ideal for avid traveler and plein air artist Joseph Zbukvic. “[They are] easier to manage and travel with, and one can always find a spot somewhere on a busy street…If I had a choice all my work would be that size.” Zbukvic’s watercolor I Love Paris is an ode to one of his favorite cities. “I never tire of painting there even after so many visits. [For this piece] I found this view across the Seine simply an irresistible subject. It’s a complex work demanding integration of water, buildings and bridge.”

Principle Gallery’s annual small works exhibition features a diverse array of artists painting in a multitude of mediums. “It’s always a pleasure to see how each artist utilizes a small format and how so many different styles come together so nicely,” says assistant gallery director, Taylor Chauncey. “Having over 100 paintings on the walls actually makes me quite happy. It’s also the perfect kick-off to the holiday season.” —

Principle Gallery  
208 King Street • Alexandria, VA 22314
(703) 739-9326 • www.priniciplegallery.com

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