Tehran, Iran-based artist Nassim Akhlaghi Garmjani has been drawn to the world of painting from a young age and has meticulously studied the methods of the classical painters to hone her crisp, vibrant style. Working in realism, Garmjani captures the essence and forms of her subject matter with expert hands, creating pieces that truly put the life in still life. She works in other subjects as well, including figures.

Ziyafat e Baji, oil on canvas, 391/3 x 391/3 in.
Though she completed a degree in industrial engineering, she eventually started studying classical painting under the guidance of master Amir Jamshidi in 2012. During this period of mentorship, Garmjani dedicated herself to learning the principles and techniques of classical art while engaging in an in-depth study of the works of the great masters.
“As my artistic vision expanded, I felt an increasing need to understand photography as a complementary medium,” says Garmjani. “In 2021, I pursued specialized training under master Amin Kojoori, studying photography as a way for creating original references for my paintings. This opened a new gateway for capturing ideas and shaping my artistic creations.”

Self-portrait, Nassim, charcoal and white chalk, 27½ x 19½ in.
Her prize-winning piece in the International Artist Still Life Challenge was an oil titled Ziyafat e Baji, depicting a bowl of figs next to a golden vase of flowers. “I have always been fascinated by the elegance and delicacy of natural elements. To capture a fragment of the beauty that surrounds us, I include flowers and fruits in my arrangements, which highlight natural tenderness and charm,” she says. “The interplay of light and shadow, coupled with the vivid illumination of colors throughout the painting, makes us feel like we’re in a carefully created scene.”
Throughout her artistic journey, Garmjani has participated in several group exhibitions, both nationally and internationally, as well as in international competitions. “All of [these things] have played a significant role in deepening my artistic understanding and my perception of the world around me,” she says.

Mali-Khanoom, oil on canvas, 17¾ x 11¾ in.
In recent years, the artist has also been teaching drawing and painting classical realism, striving to pass on what she’s learned to aspiring artists.
“I firmly believe that every individual has a responsibility to leave a positive impact on their surroundings, and I have chosen the language of colors as my medium of expression and communication,” says Garmjani. “The ultimate aim of my paintings is to convey meaning and narrative through color and form—a universal language shared by all people across the world.” —
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